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PRODID:adamgibbons/ics
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UID:634@backend.prikbord.page
SUMMARY:Broken Hearts #1
DTSTAMP:20260726T032605Z
DTSTART:20260524T121500Z
DTEND:20260524T133000Z
DESCRIPTION:BROKEN HEARTS\nBroken Hearts is a duo of performance-based even
	ts\, bringing tenderness\, love\,\ncare\, and different ways to contemplat
	e sorrow\, process anger\, or simply forget\nfor a moment. The first event
	 is happening on Sunday May 24th. The second event\nwill happen on Sunday 
	June 7th.\n\nThe project is put together with care by Kapish\, and held wi
	thin the arms of\nRoodkapje West.\n\nTIMETABLE\n14:15–15:00\nY4lla Tnam by
	 Rebecca Lillich // Krüger & Ahmad Mallah\n16:00–16:20\nA Practice of Beco
	ming\, Still by Michel Wang / 王敏亘\n\nYalla Tnam\nYalla Tnam (ياهلا تنام) i
	s a ritual performance\, a composed echo of grief\,\nprotest\, and surviva
	l.\nThrough voice\, sound\, and movement\, Ahmad Mallah and Rebecca Lillic
	h // Krüger\ninvite the audience into a moment of collective mourning and 
	transformation. The\nperformance interweaves Fairuz’s lullaby "Yalla Tnam"
	 with Syrian grief rituals\nthat emerged during the early years of the Syr
	ian Revolution.\nMallah’s voice\, processed live\, becomes a rhythm of end
	urance\, while Lillich //\nKrüger responds through embodied gestures movin
	g between care and violence.\nThe work unfolds between personal and politi
	cal layers\, touching on migration\nhistories and the complexity of relati
	ng to the Netherlands as both refuge and\nplace of displacement.\nLanguage
	: Arabic and English\n\nAhmad Mallah & Rebecca Lillich // Krüger\nAhmad Ma
	llah and Rebecca Lillich // Krüger are an Amsterdam-based performance\nduo
	 intersecting the personal and political. Their work uses open symbols to\
	ngenerate reflection\, introspection\, and connection.\nTheir earlier work
	s\, The Ladder (2023) and The Price of Bricks (2024)\, revolve\naround sin
	gular objects and unfold as action-based performance happenings. Their\nmo
	re recent works\, including pulling blood from stone (2025) and Yalla Tnam
	\n(2026)\, move towards surrealism and song-based structures\, combining g
	esture\,\ncostume\, and voice.\n\nA Practice of Becoming\, Still\nA Practi
	ce of Becoming\, Still stays with heartbreak as an ongoing process rather\
	nthan a fixed moment.\nThrough an immersive and atmospheric approach\, the
	 work follows a body moving\nthrough uncertainty\, sensing\, repairing\, a
	nd continuing to become. It is rooted\nin personal experience and ongoing 
	artistic research.\nLanguage: Mandarin and English\n\nMichel Wang / 王敏亘\nM
	ichel Wang is a Taiwanese interdisciplinary artist based in the Netherland
	s.\nWorking across fashion\, performance\, installation\, and publishing\,
	 their\npractice explores queer hybridity\, transformation\, and belonging
	 through tactile\nmaterials and speculative storytelling.\nDrawing from pe
	rsonal sensations\, Asian queer experiences\, and cyberfeminist\nthought\,
	 Michel creates intimate and poetic environments where bodies\,\ntechnolog
	ies\, and materials intertwine.
URL:https://backend.prikbord.page/event/broken-hearts
GEO:51.909661;4.432299
LOCATION:Roodkapje West - Keileweg 10A 3029 BS\, Rotterdam
STATUS:CONFIRMED
CATEGORIES:libspeciaal::source::stager,libspeciaal::source::stager::roodkap
	je,Live,Significant others,libspeciaal::uid::roodkapje::111618795,libspeci
	aal::lastmod::1776960017763
X-ALT-DESC;FMTTYPE=text/html:<p><strong>BROKEN HEARTS</strong><br />Broken 
	Hearts is a duo of performance-based events, bringing tenderness, love, ca
	re, and different ways to contemplate sorrow, process anger, or simply for
	get for a moment. The first event is happening on <strong>Sunday May 24th<
	/strong>. The second event will happen on <strong>Sunday June 7th.</strong
	></p><p>The project is put together with care by Kapish, and held within t
	he arms of Roodkapje West.</p><p><strong>TIMETABLE</strong><br />14:15–15:
	00<br />Y4lla Tnam by Rebecca Lillich // Krüger &amp; Ahmad Mallah<br />16
	:00–16:20<br />A Practice of Becoming, Still by Michel Wang / 王敏亘</p><p><s
	trong>Yalla Tnam</strong><br />Yalla Tnam (ياهلا تنام) is a ritual perform
	ance, a composed echo of grief, protest, and survival.<br />Through voice,
	 sound, and movement, Ahmad Mallah and Rebecca Lillich // Krüger invite th
	e audience into a moment of collective mourning and transformation. The pe
	rformance interweaves Fairuz’s lullaby "Yalla Tnam" with Syrian grief ritu
	als that emerged during the early years of the Syrian Revolution.<br />Mal
	lah’s voice, processed live, becomes a rhythm of endurance, while Lillich 
	// Krüger responds through embodied gestures moving between care and viole
	nce.<br />The work unfolds between personal and political layers, touching
	 on migration histories and the complexity of relating to the Netherlands 
	as both refuge and place of displacement.<br />Language: Arabic and Englis
	h</p><p><em>Ahmad Mallah &amp; Rebecca Lillich // Krüger</em><br />Ahmad M
	allah and Rebecca Lillich // Krüger are an Amsterdam-based performance duo
	 intersecting the personal and political. Their work uses open symbols to 
	generate reflection, introspection, and connection.<br />Their earlier wor
	ks, The Ladder (2023) and The Price of Bricks (2024), revolve around singu
	lar objects and unfold as action-based performance happenings. Their more 
	recent works, including pulling blood from stone (2025) and Yalla Tnam (20
	26), move towards surrealism and song-based structures, combining gesture,
	 costume, and voice.</p><p><strong>A Practice of Becoming, Still</strong><
	br />A Practice of Becoming, Still stays with heartbreak as an ongoing pro
	cess rather than a fixed moment.<br />Through an immersive and atmospheric
	 approach, the work follows a body moving through uncertainty, sensing, re
	pairing, and continuing to become. It is rooted in personal experience and
	 ongoing artistic research.<br />Language: Mandarin and English</p><p><em>
	Michel Wang / 王敏亘</em><br />Michel Wang is a Taiwanese interdisciplinary a
	rtist based in the Netherlands. Working across fashion, performance, insta
	llation, and publishing, their practice explores queer hybridity, transfor
	mation, and belonging through tactile materials and speculative storytelli
	ng.<br />Drawing from personal sensations, Asian queer experiences, and cy
	berfeminist thought, Michel creates intimate and poetic environments where
	 bodies, technologies, and materials intertwine.</p>
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DESCRIPTION:Broken Hearts #1
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